a casa, o atelier, as obras

faço arte para não ficar transparente. me imprimo em cada peça, em cada obra. existo em mim e em ti. aqui e ali.

A contemporary collection of "mote alheio"

Mozart Santos and Marcelo Gandhi listen to Bachelard and hear the grumble of the contemporary "semiosfera" an polissonoro ocean of signs... where the transitory, the fleeting and the contingent weaves a "semiosis primeva"... the perpetual moviment. The exihbition celebrates a culture without "a priori". It could say that it's a "Povera" art, but I prefer to think that it's a trespass of forms, an action against the principal agent, the inhibitor agent of the contemporary society that is virulently, instrumental. this undone, recriate, intervine in the already done, in a form to mine the instrumental logical system disclosing to the caracter "it-come-the to be" that we impregnate in what we gererate.

Using residues of daily urban, the artists operate an architecture of the slum quarter, with motes in disuse. In a "makeshift job" that includes two aspects basic of the human being existence: The "continuum" process and the sacred. The sacred invades all the exposition, threfore it all affirms: "Any thing can be used for the creation". They are seminal works inheriting art of resistence made for Marcel Duchamp, Joseph Beuys, Stockhausen, Hélio Oiticica among others, and that they invite the observer-flickle to an utopian and poetical project of future.

Sanzia Pinheiro Barbosa Pesquisadora do GRECOM (Grupos de Estudos em Complexidade)/UFRN